So far in this series, we have celebrated an Italian song and a song with a great bassline. Today we celebrate an Italian song with a great bassline. What can we say: we have a type.
Actually, we’re generally not gushing fans of Italy’s Eurovision output. It just so happens that two of our absolute favorites are Italian. But enough with random defensiveness. Let’s blast this banger!
“Soldi” grabbed a hold on our ears pretty much from the first time we heard it at Sanremo and it wouldn’t let go. It stood out to us because it just sounded different than a lot of the other songs vying for the crown.
To be sure, Mahmood’s vocal melody isn’t that unique compared to the other male vocals on offer at Sanremo. “Soldi” was one of many songs that featured variations the sing-songy, densely packed verses that we associate with Italian pop.
What set it apart was its immediacy. “Soldi” is driven by a recurring mandolin riff and by vocal punctuation that accents the main melody. It also derives its punch from Mahmood’s performance. He sings his autobiographical lyrics with both an air of defiance and a sigh of resignation that draws us in.
He then builds and builds the bridge both lyrically and orchestrally and we brace ourselves for some sort of big release of tension. But instead of resolving, “Soldi” just DROPS into the chorus. There is unresolved emotion in the lyrics and the chorus’ orchestration captures it. The simple, but rich bassline further emphasizes that feeling. This is how Mahmood tells his story to a general audience without speaking their respective languages.
Mahmood brought a smoldering intensity to his performance at Eurovision. Yet one of our favorite moments of the entire Song Contest in 2019 is the beaming smile he breaks into when he’s done. We felt the same way then and feel the same way now.