Every year, there are a couple of songs that don’t stay in our brains. We obsessively watch old Song Contests and even then, we’ll come across entries that we completely forgot about. One year, Slovakia sent a song that only registers with us now as the song we always forget was a Eurovision entry. Can’t remember which year it was, though.
You can see where we’re going with this.
Now, Damir Kedžo is one of Croatia’s biggest stars. He’s a chart-topping, award-winning, stream-dominating pop singer. So the negative opinions of two minor Eurovision bloggers probably won’t hurt his feelings one bit. Though maybe he’ll be flattered when we say he’s like a hot version of Lee Ving.
But “Divlji Vjetre” does not resonate with us at all. At first listen, it struck us as a bland, midtempo pop song with a strange key change.
Upon repeated listens, though, we were struck by its interesting structure. Written by Ante Pecotić, “Divlji Vjetre” starts off fairly conventionally, with a lilting verse and a big chorus. But the second verse has a different vocal arrangement than the first. It brings the backing singers to the fore and gives Damir a place to vamp. After that, we get two run-throughs of the chorus. The key change between the two is sort of hidden under a big long note that Damir uses to pull us into the final part of the song. It’s fascinating.
“Divlji Vjetre” may be fun to deconstruct, but we’re still not sold on the song itself. It’s nice, but we’re not sure it’s one we’re going to think about much once we’ve moved onto the next Eurovision season.