Imagine, if you will, an alternate reality where the 2020 Eurovision Song Contest took place. Now imagine an alternate reality to that alternate reality. You see, once you have one alternative Eurovision universe, you have infinite ones. That’s Tegmark’s Mathematical Eurovision Hypothesis.
In other words, welcome to the Eurovision That Almost Was That Almost Was. Let’s look at Semifinal One and the automatic finalists who got to vote in it.
Sweden: Dotter – “Bulletproof”
Both “Bulletproof” and Melodifestivalen’s winner “Move” are examples of how performance and staging can elevate so-so songs. Dotter has a cool vocal tone and a risky upper register, and her charisma is a big part of why “Bulletproof” works live. Add to that a very cool staging that requires nothing more than some lighting and a mirrored shirt, and you have a successful Melodifestivalen entry. We were Team Mamas, but we would have been more than happy if Dotter had won.
Belarus: Yan Yarosh – “Fire”
“Fire” is a pleasant little number in the Jamie Cullum vein. There are some lovely musical moments hindered slightly by an overly enthusiastic drummer. The only real issue here is that Yan Yarosh went for a concert staging and VAL went for a performance staging, and a performance staging just stands out more.
Australia: Casey Donovan – “Proud”
As a song, this “Proud” is not that much different than the “Proud” that won the jury vote at the 2019 Eurovision Song Contest. But like Tamara Todevska before her, Casey Donovan turns this run of the mill number into an absolute anthem. We get why Australia ultimately went for Montaigne, but damn if Casey didn’t bring the house down in the Gold Coast.
North Macedonia: Internal selection. Not applicable.
Slovenia: Lina Kuduzović – “Man Like U”
So here’s a job: stand and look serious into a camera so the producers can cut to you at key moments of a song. Love it. Unfortunately, Lina’s performance at EMA was a bit stiff, and her vocal was nasal and milky. It’s such a missed opportunity, because she wrote herself a pretty good song. But the more poised performer won the day in Slovenia.
Lithuania: Moniqué – “Make Me Human”
Moniqué told a fully fleshed out story in her staging of “Make Me Human,” taking the song’s metaphorical message and turning it into a cyborg’s cry for love. It didn’t work 100% of the time, but the overall package was quite engrossing.
Ireland: Internal selection. Not applicable.
Russia: Internal selection. Not applicable.
Belgium: Internal selection. Not applicable.
Malta: Justine Shorfid – 2nd place singer
As outside observers (meaning we didn’t actually watch the show), we assumed Destiny’s win at X Factor Malta was a forgone conclusion. But she had some stiff competition with Justine Shorfid. Justine has a rich, smoky vocal tone that stands out. We thought she overemoted a bit in her performances, but that’s a minor complaint. She’s a compelling singer.
Croatia: Mia Negovetić – “When It Comes to You”
We like to evoke Radio Disney as a kind of insult towards teen-oriented sunny pop tunes, and we totally could sling that at Mia’s “When It Comes to You.” And yet, Mia is such a likeable performer that it was easy to root for her. It’s cute, and we don’t mind that’s too twee for our tastes.
Azerbaijan: Internal selection. Not applicable.
Cyprus: Internal selection. Not applicable.
Norway: Kristin Husøy – “Pray for Me”
As much of a hot mess as Melodi Grand Prix was this year (as we’ll discuss in our WTF post), at least the Gold Duel came down to two strong entries. “Pray for Me” reminded us a bit of Amandine Bourgeois’ “L’enfer et moi,” and Kristin Husøy has a smoky, raspy voice that fits her song like a glove.
Israel: Ella-Lee Lahav – 2nd place singer; “Roots” – 2nd place song
Ella-Lee Lahav is just pure pop. Look for any of her HaKokhav HaBa L’Eurovizion performances and enjoy. (“Toxic” was a particular standout to us). We have no doubt Ella-Lee would have represented Israel admirably at Eurovision. Maybe she will someday.
After winning HaKokhav HaBa L’Eurovizion, Eden Alene was given a song selection show. “Roots” was the admirable runner up, taking a fairly nondescript song about being proud of who you are and spicing it up with a spectacularly strident chorus that grabbed our attention. It’s not the most accessible song, though, so despite our reservations about “Feker Libi,” we can’t say Israel made the wrong choice.
Romania: “Storm” – 2nd place song
We are not the biggest fans of “Alcohol You,” but when we look at Roxen’s other options for Eurovision, we totally understand how that one was chosen as her song for Europe. “Storm” sounds like someone accidentally copied and pasted the chorus to Zibbz’ “Stones” in between some bland, noodly verses. The staging served “Storm” perfectly, in that it accentuated how awful the song was.
Ukraine: Khayat – “Call for Love”
We love Go_A’s “Solovey,” but we also love Khayat’s “Call for Love.” Khayat treads this line between being a proper pop star and a singer trying too hard to be suave, but he won us over with his ethereal vocal. “Call for Love” was an absolute blast from start to finish. Ultimately, Go_A is just a bit more unique than Khayat, which is really saying something.
Germany: Internal selection. Not applicable.
Italy: Francesco Gabbani – “Viceversa”
We love when past Eurovision stars come back, and we also love to complain when their new songs aren’t quite as special as their first entries. And so it goes with Francesco Gabbani. If “Occidentali’s Karma” is the lead single of an album, “Viceversa” is the fifth single released as the world tour is wrapping up. It’s still good, and Francesco still has boatloads of charm to go with his beautiful, raspy vocal tone. But the right song won Sanremo this year, and we bet even Francesco himself would agree.
The Netherlands: Internal selection. Not applicable.